Monday, November 22, 2010

Do you agree with ‘Nanga Kodava’?

Click on the images to read the story.






Kodagu Community hopes ‘Nanga Kodava’ did something about the dress code of waiters of Golden Chariot, Karnataka’s luxury train. They are wearing black kupya, a traditional Kodava dress. We’ve blogged about it earlier (details here). Isn’t this disrespecting attire and culture?

Friday, November 19, 2010

Kodava wedding



SEETA15 WRITES IN HER BLOG: I have safely returned to the states from my trip to India. The primary reason for my visit was to attend my cousin-sister’s wedding… and it was perfect. Kodava weddings are one of a kind, filled with rich culture, beauty and more importantly eating, drinking and dancing.

The Kodava wedding is a 2 day ordeal and the Kodava bride wears a traditional sari draped in the typical Kodava style (pleats in the back, border wrapped over the right shoulder) and a veil covers the bride’s head. The groom wears an ornamental robe with fitted trousers and wears a “peeche kathi”, which is an ornamented dagger that can be worn on the waist band. The wedding is typically performed without a priest; the elders bless the newly married couples. The dowry system is an unknown concept in Kodava culture. Another unique characteristic is the serving of non-vegetarian dishes and liquor in Kodava weddings, which is rare among the Hindu community.

The formal preparations start the day before the actual wedding day. Kodava’s have a ‘Pathaak’ (gold marriage necklace) and it is tied by the bride’s mother on the “oorukuduva” day. The “oorukuduva” day (when the villagers get together to help with the preparation of food) or the “Karikmuripa” day (the day when the vegetables and meat are cut for the wedding) is normally celebrated separately in the bride and the groom’s house. Kodavas are a warrior community and their wedding rituals involve symbolic warfare. This ritual of cutting banana shoots is to show respect to maternal family. There will be 3 sets of banana-stump cuttings. (more)

Wednesday, November 10, 2010

Shoddy road work

YASH writes: Cracks have developed on the newly laid road by KRDCL along the Kushalnagar-Madikeri state highway. What does this mean? Was the road work of sub-standard quality? If so, concerned authorities should fix the issue as soon as possible. We expect quality work from KRDCL, not shoddy job.

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Wednesday, November 3, 2010

Trish Taylor Ponappa: Artist par excellence

KISHOR CARIAPPA writes: I happened to see high quality drawings of Ummathat and Pariya Kali dotting the living room wall of my cousin’s place last year. It was quite a sight. Quite nostalgic as well. A closer look at the drawings revealed the name of the artist -- Trish Taylor Ponappa. Upon enquiry, my cousin told me a variety of drawings were available at ‘Nambikay’ outlet in Madikeri. This summer, I visited the store to pick up a few drawings. My friends loved the works immensely and have asked me to buy a few pieces when I visit Madikeri next. With an effort to know more about the artist Trish Taylor Ponappa, I emailed her, and promptly got a reply.

Below is an email interview with the person behind these magical creations.

Can you give us a brief background about yourself, your works, and your association with Kodagu/Kodavas?

I grew up in the U.S., in the state of Idaho, in a rural environment. I obtained my Bachelor of Fine Arts degree from the University of Idaho, and I worked as a graphic artist for many years before coming to India. I met my husband, Dr. Tilak Ponappa (Kuppanda) in the U.S. where he was studying and then working as a scientist. He knew that eventually he would have to come back to Kodagu to fulfill his familial obligations as the only son. After much consideration and deliberation, we decided to relocate to Kodagu in 1999.

What is the motivation for you to document Kodava lifestyle and people in the form of drawings?

For several years after coming here, I really didn’t do much with my artwork; just an occasional volunteer project now and then. For me, I have to be in the right frame of mind for the artwork to turn out successfully. After initially coming here, I had a lot of adjustment issues that I had to work through; so when I did artwork at that time, it often didn’t turn out as I had hoped and I would become very frustrated. But, after a time, I started doing some graphite pencil drawings of the native crop plants and turned them into prints and note cards.

Some friends and relatives were opening a resort* and I did a little brainstorming with them as to the artwork they would require, and they wanted art that highlighted Kodava culture. So I started doing some drawings relating to that. As things go here, the building kept getting delayed, so I started making prints and cards of the drawings that I had done. I hooked up with ‘Nambikay’ in Madikeri and people started to show an interest in them. My goal was to make them simple and affordable.


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Do you come up with new drawings every now and then?

Yes, I try to do new drawings and paintings on a regular basis. But that is also dependent on my time, as I do my own framing (so when I get a lot of orders for prints, it tends to cut into my time for producing new works). Lately, the new pieces I have done are more oriented to the natural aspects of Kodagu, but I have ideas for more cultural pieces as well.

Are you based in Kodagu?

Yes. My husband and I live in Konankatte, which is a small village located near Balele. We live on a coffee estate so we are both busy with all that entails, and we have a large herd of pets including 15 dogs (most of those are adopted strays and their offspring that we were not able to find homes for), 9 cats, 3 geese, and 8 chickens. I love nature and animals (obviously) and since Kodagu is so rich in biodiversity, it offers an endless array of subject matter for my work.

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What are your impressions about culture and tradition of Kodavas?

It is a rich heritage where in times past, the customs and rituals were based on necessity, and survival. Today, these same practices are often symbolic. But in performing them, the past is remembered and the traditions are kept alive. The main social events of the community are centered around the cycle of life: weddings, funerals and naming ceremonies. It is a celebration but also a chance to meet friends and relatives and catch up on what has been happening in each other’s lives.

How do you think the next generation can be made aware of the rich heritage of their ancestors in Kodagu?

As the world becomes smaller and ways of life become more similar, I think it is really important to keep one’s cultural heritage alive because it is the differences that make people interesting. There have been so many books published now by Kodava authors about Kodagu that reading those books should be encouraged within families. Also, participation in the community gatherings such as Puthari. My husband has fond memories of viewing the Puthari dances in Patti Bane near Bittangala. We attended several times, as spectators, and it sets a scene of the past and future coming together. The regal Kodavas in their traditional attire, performing the Kol and Pariya Kali in the glow of the afternoon sunlight is truly picturesque. Unfortunately, I think many of these events are not as well attended as they used to be.

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How has been the response to your drawings among Kodavas and non-Kodavas?

My artwork has been overall well received by those who have seen it. It is only displayed in a few places so not everyone knows about it. Since Kodagu is a hotspot now for homestays and small resorts, people like to put up some of my prints so that their guests can learn about the area. Also, I know that local Kodavas purchase the cultural prints to send to their family and friends who live outside the area, so they are reminded of their heritage wherever they may be.

What is your impression about Kodavas and their culture?

Basically, I think people are the same wherever you go…it is only the customs and traditions that make them different. The people of Kodagu are very family oriented, and the ties are very strong. Because it is such a tight knit community, it seems that most people are connected through blood, marriage or acquaintance. When strangers meet and start talking, they will find a common thread there somewhere. The people here are very warm and welcoming, but sometimes for an outsider, this very strong bond that they have can make one very aware of how much they miss their own family connections.


(*SIDE NOTE: The resort I am referring to is called Ambatty Greens in Bittangala. It will be opening this month. Prints of my paintings and photographs are hanging in the guest rooms.)

KodaguCommunity.com wishes Trish Taylor Ponappa all the very best and hopes she will continue to document Kodagu through her intricate art works in the years to come.

Let her tribe increase.